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"A Small Fortune" by Rosie Dastgir

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Alia, a young woman born of a British mother and a Pakistani father, works hard during the events of A Small Fortune to mend her fractured relationship with her father. Indeed, that relationship is one of the principal axes around which the events in this funny and touching debut novel revolve. The story captures the friction generated by other conflicts as well: that of cultures when immigrants try to adjust to a new land, that of the zealous-but-cowardly trying to get the too-trusting to do their radical and destructive bidding.

This is the story of Harris (the Anglicized name of a Pakistani man who has immigrated to London), and his extended family. Harris has survived a toxic marriage (alluded to in the novel, but not part of its events) and reaped a tidy sum in settlement. As a devout Muslim, he seeks a way to unburden himself of the funds, and help his family and loved ones in the process. He unwisely settles the entire amount (more than 50,000) on a sleazy cousin who spends a good part of it on flashy components and resents forever after any suggestion that he might pay some of it back. 

Harris is a sad sack throughout much of the book. Author Rosie Dastgir (a onetime Londoner of mixed British and Pakistani parentage) imbues him with a strong urge, but not quite the courage, to do right by his family and his faith. He shies away from asking his cousin for a return of any of his funds. He shies away from his own beloved daughter because she lives like a modern Londoner, which is clearly what she is, instead of a chaste young Muslim woman. His attempt to dictate his morality to Farrah, the charming widowed professor with whom he develops a relationship, at length estranges the two.  I had a hard time crediting this sort of behavior in 21st Century London, but I must thank Ms. Dastgir for the humanity of this character, and for the forlorn humor involved in the portrayal. 

That’s where this book is really strong: the author gives each and every character a full human shading and nuance, from the main players to the ones we only get a glimpse of. Harris’s young nephew Rashid goes through a gratifying (from the reader’s standpoint) crisis and redemption, but my hopes for a clearer settling-up of accounts elsewhere came to nothing: the sleaze-bag cousin gets himself elected to the town council and remains impervious to entreaties that he do anything honorable about his windfall. Much of this book relies on a series of willful misunderstanding and intransigence that distances characters from those closest to them. As I say, I found this the most trying area in which to suspend my disbelief.

"In a Summer Season" by Elizabeth Taylor

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The best gifts, they say, come in small packages. In a Summer Season seems a slight book for most of its length, but its subtle conflicts, frustrated hopes, and the internal journey of main character Kate’s heart – without warning these features take on a touching significance just at the end of the novel. Elizabeth Taylor (a different one) packs a powerful ending into this quiet book that one does not expect.

Kate and her family live in middle class comfort in Surrey, not too far from London, and the story takes place in the late 1950s. Kate had been widowed, but is remarried, to a man roughly ten years her junior. The bit of money they have between them allows a leisurely lifestyle: neither works, although Kate’s mother-in-law Edwina is forever trying to set up Kate’s husband Dermot in some kind of career.  This push leads to the story’s main conflict; Dermot starts an apparently benign deception that nevertheless is a key factor in the wrenching events at novel’s end.

Ms. Taylor tells this story quietly: Kate’s frustrations are relieved rather promptly in most cases; her twenty-two-year-old son advances in the family business; her daughter gets over a crush on the curate. But the theme of the unity of this family emerges, and it seems to me that Dermot, and Araminta, the young siren of the neighborhood, are simply distractions, dazzling, diverting in their way, but only that. Dermot makes Kate happy, but the slow erosion of his confidence and self-esteem build up brilliantly to his ultimate failure. It’s a difficult, shadowy thing to see coming; Ms. Taylor does such a masterful job of surprising us with the climactic events.

In a Summer Season shows us our weaknesses, and shows how capricious our ideas of happiness are. We feel forces here that are quite beyond our control, and our emotional negligence contributes massively to our lack of control. This novel, gentle and lulling throughout its main course, surprises us with its sense of inevitability at the end, and teaches us to look with fresh eyes and appreciate our loved ones and our blessings, with hearts more open. It is a valiant, worthwhile effort.

"The Air We Breathe" by Andrea Barrett

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Tuberculosis patients are transported to an Adirondack sanatorium for their rest-cure in the days just before World War I, and in Andrea Barrett’s excellent The Air We Breathe provide a microcosm for the world on the eve of losing its innocence in the “War to End All Wars.” There are many novels which show an author’s deep understanding of human nature, and The Air We Breathe belongs in the ranks of the very finest. 

Leo Marburg, a young Russian immigrant without family or cultural ties, contracts the dread consumption while living and working in Brooklyn in the spring of 1917. His arrival at Tamarack State, the institution for tuberculosis patients, precipitates at length a series of misunderstandings, and attracts the suspicion of the self-appointed authorities. His fellow inmates also succumb to unfounded suspicion, and turn on him. At novel’s end, they realize how unfair they were to their former friend, and how unjust.

Ms. Barrett does a marvelous job of bringing in the remarkable historical events at that epochal moment. The inmates, suffering from boredom and a sense of abandonment, begin, grudgingly at first, to gather once a week to hear a talk by one of their own. Late in the book, after all the reproach and recrimination have played their havoc on the principals, particularly Leo, the group reflects on a time of lost innocence (a grand job of the author to catch the tenor and momentousness of the time):
 How innocent we seem to ourselves, now, when we look back at our first Wednesday afternoons! Gathering to learn about fossils, poison gas, the communal settlement at Ovid, about Stravinsky and Chekhov, trade unions and moving pictures and the relative nature of time, when we could have learned what we needed about the world and war simply by observing our own actions and desires. We lived as if nothing was important.

In awe of events swirling beyond their walls, the inmates make the mistake of missing the feelings and personal strife right within their midst. They have witnessed thwarted love, betrayal, xenophobia, wartime jingoism, and the disillusionment of talented immigrants. The clever author accomplishes two tricks at once here: she uses the folly and selfishness of the patients to illuminate the faults of the outside world (there is a fire that generates poison gas and fatally injures three), and also shows in stark relief the truth that the less we care for our fellow beings, the less we are worth. She offers here a lesson for the world at large, and also for much smaller communities.  This is superbly thought-provoking, plainly told, and deceptively straightforward. Find the depth through the archetypes. Recommended, big-time.

"The Lola Quartet" by Emily St. John Mandel

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Emily St. John Mandel’s latest, The Lola Quartet, delivers a tense, atmospheric noir story of theft, drug abuse, and murder to the suburbs of South Florida. It has superb pacing, with interlaced flashbacks which slowly but surely take us where we need to go as readers. It’s an outstanding job.

Gavin Sasaki’s pregnant girlfriend Anna runs off with mutual friend Daniel, leaving South Florida, just as they graduate high school. The safe haven Daniel has offered her in Utah turns out to be anything but. Ten years later, the chance that Gavin might have a daughter plunges him into a downward spiral. He ruins his own promising journalism career by fabricating some stories, but at novel’s end, winds up being one of only two virtuous characters among the main players. He has some fatuous ideas about being a private detective if he can’t be a journalist, but he winds up being not quite either.

Ms. Mandel has generated an array of artful effects. Main character Gavin is born and bred in Miami’s suburbs, but is prone to heat stroke. His struggles with the climate mirror his struggles with the venality and cruelty of his friends and associates. The author displays the homes and lawns of suburban South Florida in hypnotizing terms of color and shape, and adds description of the skies and lagoons to good effect. The heat, and the fear, tension, and pain put the reader under an odd spell both soporific and tense.

The Lola Quartet works very, very well as a noir detective novel without an actual detective. The policeman in the story, Daniel, conspires in criminal activity, and doesn’t try to solve anything – he knows the particulars all too well. The facts and implications of the case escape Gavin, the would-be detective, until after it’s too late. All in all, this is balanced, mysterious, haunting, and satisfying. If slowly-unfolding mysteries and flawed heroes are your thing, take this up.

"The Mercury Fountain" by Eliza Factor

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In Eliza Factor’s novel The Mercury Fountain, Owen Scraperton founds a utopian society in West Texas at the very beginning of the 20th century, to be supported by mercury mining and the ideals of reason and enlightenment.  Unfortunately, events and the resulting family conflict overtake and consume the lofty ideals as well as the solvency of the mercury operation.  The eponymous fountain refers not only to a display in the town to commemorate the all-important mercury mine, but also to the creeping madness of prejudice and totalitarianism the town suffers from.

All goes swimmingly for a time, as the Scrapertons bring forth their precocious daughter Victoria and the price of mercury ratchets upward. But problems creep in to this idyll: soldiers occupy the town because of a perceived Mexican threat in the wake of the Spanish-American War, and unrest grows between Mexican peons with their superstitions, and the “forward-looking” Anglo counterparts. A young and upstanding Mexican man is nearly beaten to death, but is held for the death of an Anglo whom he clearly killed in self defense. Into this injustice Victoria the young woman insinuates herself as rescuer and foil to her father.

The daughter Victoria is the most perplexing conundrum in this unusual and arresting book. She suffers a ghastly injury as a young child when a couple of privileged toughs use a scalpel to cut her tongue nearly in two longitudinally. Her tongue is repaired, but not completely, so that it is forever forked. In one of the principal events of the book, she trains a snake to take a key to the Mexican man being wrongfully held in prison, so that he can free himself. 

After this, madness progresses on center stage. Scraperton suffers from it, as does the town’s doctor, and various others. This madness has a parallel in the societal madness whereby riches are taken from the earth by the most polluting methods possible, whites can persecute brown-skinned and natives with impunity, and all factions profess the superstitions of their choice. 

Characters spring into prominence a little haphazardly here, most notably Ysidro, the young Mexican folk hero. The progress of individuals, with the possible exception of Owen’s wife Delores, lurches along in fits and starts. I could wish for something a little more cohesive than this, with maybe more focus on Victoria, leading with her forked tongue the downtrodden in pitched battle against her father and his perceived abandonment of his ideals. We glimpse influences of the outside world – industrial strife, with goons and strike breakers – and World War I, in a very oblique way too.  Ms. Factor has an undeniable force and passion, and her focus on the international and intellectual milieu of the time gives the story some depth, but overall I was struck by the herky-jerky nature of the narrative, and the oddly unfulfilling final disposition of the story’s chief protagonist, the idealistic but inconsistent Scraperton. We are left with only the most discouraging answers to some exceedingly important questions.

"The Pearl Diver" by Jeff Talarigo

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How do we tell a story of human isolation? Jeff Talarigo’s The Pearl Diver provides a precise and balanced and beautiful example. Mr. Talarigo collapses long decades of a woman’s life spent in a Japanese leprosarium into a spare, moving tale. Its light, almost delicate, touch with major human issues provides a gratifying payoff.

At the outset of the novel, our nineteen-year-old unnamed heroine belongs to an exclusive group: she is one of a handful of pearl divers, women of all ages who plumb the depths of Japan’s Seto Inland Sea and bring up lobster, clams, other mussels, and on lucky days, pearls.  She is still young and naïve when she’s forced to leave her beloved vocation. She’s found to have the dreaded curse-like plague of leprosy. In an instant she falls from her exalted, insular position to the level of the lowest outcast of Japanese society. She’s shunned, sent away to an island prison of the leprosarium, and even forced to change her name.

It turns out she has a non-infectious form of the disease, and treatments are developed during her early years in care keep her own case from progressing very far. She becomes a helper to the staff, giving massages, transporting those worse-off in wheelchairs, pulling nurse duty. She retains a certain independence in the patient community, earning its affection and respect, while making the facility’s officials suspicious.

Events unfold with an understated force: our heroine adopts the name Miss Fuji, and we learn of the climb of the famous mountain with her uncle when a little girl. She sneaks off the isolation of the island to her hometown, but is caught and sent to solitary confinement, and then forced to help with the grisly eugenic work done at the clinic. She visits Kyoto and sees various sights there to honor a man who has passed away. When at length, after struggles against the superstitious authorities, and more than forty years in the isolation of quarantine, Miss Fuji takes a flat in normal society. Maybe she’s planning her own death. She finds, however, an alien world, where pearl diving is turned into a tourist attraction, featuring nubile, bikini-clad girls who have never been more than ankle-deep.

In the end, though, she makes a surprising decision about the end of her days. Her life has been one of service to those even less fortunate than herself. At various times during her life, she knows others value and love her, and in their limited ways, return the charity she herself has shown. This is a tale of quiet heartbreak, but also of fulfilling forays into relations with other human beings, united in their isolation. Mr. Talarigo has written a restrained, graceful examination of how afflicted souls support each other, and how the superstitious so easily and brutally shun them. A beautiful, balanced book, and recommended very highly.

"Death in a Wine Dark Sea" by Lisa King

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Welcome, Lisa King! Welcome, Jean Applequist! The shark-infested waters of mystery writing can never be too crowded, and certainly not for newcomers like you. New author Ms. King introduces us to new sleuth Ms. Applequist in this hectic, rewarding, and vivid mystery. Its excellences include a larger-than-usual pool of suspects, all men, by the way, in less or more minatory mien, the heroine-sleuth’s unabashed libido, her geeky partner in detection, called Zeppo, and the cadre of support and protection she attracts around her.

Right off the bat, I want to make clear what an appealing creature is this Jean Applequist. Part Nancy Drew (I bet Ms. King is going to get sick of hearing that!) and part Xena, warrior princess, she’s way too sexy to be plucky, and way too resourceful to be a taken lightly. Jean sticks with it, despite broken bones, being accosted at gunpoint, being run off the road while bicycling, and the opprobrium of dogged cops who hold a threat of their own. Her character is Ms. King’s top achievement here, but she also succeeds at what I consider the mystery writer’s tallest order: we’re surprised at the intrepid detective’s insight when she pulls the rabbit out of her hat.

This story of detection bubbles over with guilt and the guilty. A ruthless businessman and blackmailer is murdered – twice – because he holds secrets and acts cruelly towards – well, everyone. So many people stood to gain by his death that the suspects keep popping up, one after the other, for our consideration. And one by one the suspects try their best to silence the pesky Jean and Zeppo. One thing I observe and offer: the miscreants and men-with-pasts began to run together for me. I think Ms. King would do well to give the rogues in her gallery a little more distinction, other than describing how he looked in his brand-name slacks and silk crewneck. I was lucky in that I have seen San Francisco up close and personal, so that the descriptions of places and drives and weather conditions came through for me vividly.

If you like strong, character-driven, suspenseful mysteries, this book is for you. If you know (and possibly pine for) the San Francisco Bay Area, this book is for you. If you stand up and cheer when the courageous underdog on the side of right finds the gun just in time, this book is for you. The fairly vivid sexy parts are just a bonus.