Tuberculosis patients are transported to an Adirondack
sanatorium for their rest-cure in the days just before World War I, and in
Andrea Barrett’s excellent The Air We
Breathe provide a microcosm for the world on the eve of losing its
innocence in the “War to End All Wars.” There are many novels which show an
author’s deep understanding of human nature, and The Air We Breathe belongs in the ranks of the very finest.
Leo Marburg, a young Russian immigrant without family or
cultural ties, contracts the dread consumption while living and working in
Brooklyn in the spring of 1917. His arrival at Tamarack State, the institution
for tuberculosis patients, precipitates at length a series of misunderstandings,
and attracts the suspicion of the self-appointed authorities. His fellow
inmates also succumb to unfounded suspicion, and turn on him. At novel’s end,
they realize how unfair they were to their former friend, and how unjust.
Ms. Barrett does a marvelous job of bringing in the
remarkable historical events at that epochal moment. The inmates, suffering
from boredom and a sense of abandonment, begin, grudgingly at first, to gather
once a week to hear a talk by one of their own. Late in the book, after all the
reproach and recrimination have played their havoc on the principals, particularly
Leo, the group reflects on a time of lost innocence (a grand job of the author
to catch the tenor and momentousness of the time):
How innocent we seem to ourselves, now, when we look back at our first Wednesday afternoons! Gathering to learn about fossils, poison gas, the communal settlement at Ovid, about Stravinsky and Chekhov, trade unions and moving pictures and the relative nature of time, when we could have learned what we needed about the world and war simply by observing our own actions and desires. We lived as if nothing was important.
In awe of events swirling beyond their walls, the inmates
make the mistake of missing the feelings and personal strife right within their
midst. They have witnessed thwarted love, betrayal, xenophobia, wartime
jingoism, and the disillusionment of talented immigrants. The clever author
accomplishes two tricks at once here: she uses the folly and selfishness of the
patients to illuminate the faults of the outside world (there is a fire that
generates poison gas and fatally injures three), and also shows in stark relief
the truth that the less we care for our fellow beings, the less we are worth.
She offers here a lesson for the world at large, and also for much smaller
communities. This is superbly
thought-provoking, plainly told, and deceptively straightforward. Find the
depth through the archetypes. Recommended, big-time.
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