In Tita a highly
precocious seven year-old girl grapples with the day-to-day issues of school,
church, friendship, and family. She lives in a small town in southern France at
mid-20th century, at a time when tradition and the Church face the pressure
of change. This little girl reads Stendhal, Proust, and Herman Wouk, and while
she doesn’t always comprehend every adult nuance, her reading gives her many
insights unusual for one of such a tender age. Throughout the book she delivers
this book’s main charm: her pithy, spot-on critiques not only of notable
authors, but of the adult folly around her.
As unlikely as all this sounds, Author Marie Houzelle
successfully treads a fine line with this unique and endearing character: the
young thing wrestles with the issues of childhood of course, but her keenly
honest observations place her in two worlds: she’s seven, but she’s getting –
and applying – insights from some major
prose artists.
Tita has a unique voice and viewpoint. She comes ingenuous
to all situations, as only a seven year-old can. She faces issues typical for a
schoolgirl: the prospect of staying in the same school with a horrid teacher;
whether her family has enough money to stay in their house; the way her mother stretches
the truth to serve her vanity; surviving a disastrous two weeks at camp.
Through it all she delivers her obiter dicta so candidly, so incisively, that it
achieves a lasting charm. Ms. Houzelle is to be congratulated. One might be
tempted to doubt Tita’s ability to take cues from such advanced reading, but
there’s never a time when it doesn’t work. Tita the character is perfect. Take
up the book, by all means, and make her delightful acquaintance.
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