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"Tell Everyone I Said Hi" by Chad Simpson

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From the University of Iowa Press comes another winner of the John Simmons Short Fiction Award; this time it’s Tell Everyone I Said Hi by Chad Simpson. For being a slim volume, it has a wide variety of effects, in a wide variety of lengths and treatment. Throughout, however, Mr. Simpson shows such insight into people’s mental states, in the oblique way people react to strife, and the way they seek company on their lonely journeys – even the snippets pack a wallop out of all proportion to their length.

The collection, in fact, leads off with Miracle, a mere seven paragraphs long, including one of one sentence. In it, a man responds to his addled brother’s phone call about an accident, and cannot keep from laughing, although at night, he dreams the worst. In a very few short, matter-of-fact sentences, Mr. Simpson sets the tone for this collection: harrowed, highly personal, thought-provoking, and even uplifting. In Potential an exceptional young athlete stares millions of dollars in the face, as he tries to get past his conflict about being the first overall draft choice and moving on to the next phase of his life. In this story, we get a glimpse of the closeness between the son and his father who never pressured him on the field of play. It is a touching, superb piece. Let x rises very nearly to poetry, even though its subject includes thoughtless deeds by junior high-schoolers, deeds which change two young lives.

In this collection, people work momentously to fend for themselves, usually because of some mistake or unavoidable tendency which drove loved ones off. There are two stories that reprise one set of characters. Eponymous Peloma is twelve years old in the first one, over six feet tall, orange-haired, and heavy. She and her dad try to muddle through respective challenges in the wake of the mother/wife’s fatal auto accident. Peloma tries half-heartedly a couple of times to kill herself, but her father, telling the stories in the first person, finds the path they can travel together. The first story leaves us on a cliffhanger, almost literally. The second story with these characters concludes the collection. In it, Dad chides himself when he hears of Peloma’s almost disastrous first day of driving at driver’s ed. He acknowledges that he should have given Peloma some practice behind the wheel, and so takes her out. The final sequence of their experience together in his pickup truck forms a lovely climax to this sometimes haunting collection. It’s worth the price of admission by itself.

This is a remarkable, distinctive collection, and proves what the folks in Iowa City know so well: short fiction is in exceedingly capable hands. Kudos once again on this selection for the prize!


"Battleborn" by Claire Vaye Watkins

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Stunningly clean and efficient, raw and cruel, this collection of short pieces announces the arresting arrival of Claire Vaye Watkins. Ms. Watkins mirrors the desolation of her suffering, addled denizens with the desolation of harsh, empty Great Basin Nevada. Replete with hardship, haunt, and worry, these stories nevertheless also impress us with the author’s already highly-developed skill with English that cuts directly to the meat of the matter.

The characters populating this collection are indeed born of battle, and for many, life presents the overwhelming sense that they must continue to fight every day. In Ghosts, Cowboys, a young woman traces the effects of a curse that starts with the exploitation and death of prospectors for silver in Nevada, through the poverty and obscurity of a movie-set ranch operator, to the early depredations of the Manson family. The battle has only started for the two teenage girls out for kicks in Rondine Al Nido.  It ends in painful loss and gradual estrangement, all with such inevitability. The perhaps ironic title may refer to the lost bond of love between the two girls. In Past Perfect, Past Continuous, Simple Past, an unfortunate young Italian man vacationing in Las Vegas suffers first through the loss of his friend in the desert, and then through the disillusionment of frustrated infatuation with a prostitute. Its wrenching climax crystallizes the man’s pain.

Wish You Were Here features another young woman dealing with an unnamed and bottomless emptiness, which surfaces in her inability ever to hear her infant crying. This woman has no wish to live by the too-restrictive dictates of her husband, and repels the married man with whom they are camping when she tries to proposition him. Man o War contains memorable characters in the retired miner and the young girl he finds unconscious in the desert. It also contains some of the bleakest and most comprehensive descriptions of the (un)natural desert. How about the fictional trope used here, wherein the 67-year-old quasi-hermit shoots off fireworks scavenged from the desert floor, his jaded and manipulative teenage damsel by his side? One of the best in the book. 

Ms. Watkins’s apparently effortless shift to a 19th-century style in The Diggings is impressive, as is the story itself. It tells of the desperation, physical as well as emotional, suffered by the color-struck prospectors of 1849 California. Racial prejudice, greed, and insanity all receive full treatment, and the result is a history lesson for anyone interested in the California Gold Rush.

Some stories repeat themes and characters, but this is a quibble. When the treatment is so real, and the problems cut to the bone the way they do, they deserve multiple treatments. I was stunned by the language and transported by the experiences here. This volume is well worth it.

"Sacred Hearts" by Sarah Dunant

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Take up Sacred Hearts by Sarah Dunant, and enter a convent in medieval Ferrara, and follow the lives of nuns who strive to be next to Jesus, hoping for inspiration, or better yet, to be transported completely out of themselves in spiritual ecstasy. In this full, memorable tale, they also grapple with each other in the more worldly arena of deceit, rebellion, and betrayal.

Yes, this is a microcosm, brilliantly realized by Ms. Dunant. As in her other novels of that milieu, The Birth of Venus and In the Company of the Courtesan, she renders the lives of women in Renaissance Italy in high relief. I have read Venus and as good as it is, this is rather superior. For me, the characters are fuller, the plot more suspenseful, and the stakes just as high. The Santa Caterina convent in Ferrara and 1567 AD, form our setting. A convent enjoying perhaps its twilight of privilege, the nuns there still entertain the nobility with theatrical productions, and they have a deservedly high reputation for their choir. The choir director even composes music for the Psalms and other sacred texts. But the Protestant Reformation looms ever larger in the background, with its constant push for purer devotion, less ostentation, and removal of the Church – especially its convents – from the earthly realm. 

Enter Serafina, a sweet-voiced young novice whose father forces her into Santa Caterina against her will. Her background includes a forbidden flirtation, and she panics at the incarceration, as she views it, and creates a large disturbance. Suora (sister) Zuana, the convent’s dispensary sister (healer), inherits the responsibility of trying to orient the young rebel to her new life. It doesn’t work very well. The captivating, exceptional story that follows embroils us in the power struggle within the convent walls. On one side the abbess would maintain the freedoms and privileges so many other establishments are losing. She is threatened by the nun in charge of training the novices, who would focus the world on the glorious transports of a holy ascetic sister, who inspires the rest of the community with her pious zeal. Young Serafina catalyzes the conflict, and remains the focus of Zuana, whose point of view serves as the novel’s center.

The characters and events of this novel will stay with you. Ms. Dunant’s pacing is superb, and the story’s events flow as though inevitable. There are surprises, and shocks, and enough intrigue to delight any lover of internecine conflict. As odd as that sounds. 

I recommend this book to anyone interested in noblewomen in Renaissance Italy, in the practice of convent dowries, or in Reformation politics. But most of all I recommend this book for its spot-on observations of human nature in duress, for its lovely description of devotional chorale work, and for its lively, full description of an insular place at a remote time. For the first time in a long time, I find myself stumbling over all the thoughts I want to express about this shining story. Take it up and enjoy it.

"The Book of Madness and Cures" by Regina O'Melveny

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In The Book of Madness and Cures, Regina O’Melveny takes us on a wide-ranging circuit of emotion and redemption, and we get a tour of the known world into the bargain. Set in 1590, this splendid debut novel follows the travels of young Gabriella Mondini from her native Venice all the way to Scotland, and thence to Morocco, all in search of her absented father, who is a doctor. This will reward the fortunate reader, who will learn how medieval physicians viewed illness and fevers, but more importantly, will get to follow Gabriella’s quest, where she encounters love, death, security, and life-threatening danger. Gabriella’s quest is important because it tempers her, it leads her to accept a final end to her wanderings, and affords her a closure she barely dreamed of at its outset.

Signorina Gabriella is actually Dottoressa Mondini, an insightful and compassionate physician in her own right, but the medical guild of her Venice home drums her out – women are not allowed to practice. If this were not enough, Gabriella hasn’t received a letter from her itinerant father for months, and she doesn’t know how long it took the last one to reach her. She sets out, bringing two beloved servants with her, and makes a daunting, almost heroic trip across Europe, with stops in northern Italy, southern France, Germany, the Netherlands, and Scotland. At every stop, she meets doctors who knew her father, and they relate an ever-worsening picture. Increasingly, they think him unhinged, and she must play dogged detective until she finds herself in a small desert settlement in Morocco. I found the payoff here quite satisfying.

This denouement has everything: bewilderment and heartache, as well as acceptance, affirmation, and the promise of a full, rewarding life. This debut work promises brightly for its author, for the effects of fine fiction are here: deep and real characters, a plot framework that builds our interest and holds our sympathy. Ms. O’Melveny completes fiction’s oldest, and I consider most difficult tasks: she captures our hearts’ sympathy, and our minds’ discernment, with her wonderful first-person heroine. Lesser characters are also fully nuanced and believable, although not always so sympathetic.

The Book of Madness and Cures ultimately contains the story of Gabriella’s own “madness,” her questing, striving heart. Take this book up, for I know you will be as pleased as I was at the balm contained in it for us all.  

"Summer of the Dancing Bear" by Bianca Lakoseljac

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A past world is revealed to us in Bianca Lakoseljac’s lyrical Summer of the Dancing Bear, a world in which gypsy lore and culture play prominent roles. The author makes the discovery of this world deeply rewarding by using a risky gambit in portraying her heroine’s consciousness.

A girl struggles to come of age in this haunting story set in Tito’s Yugoslavia in the 1960s, and the struggles arise because of the girl’s unusual abilities. She perceives her idyllic country surroundings unusually deeply for one so young: the harvest-ready wheat fields glow and swirl as though rendered by Van Gogh – her grandmother took her to the museum to see the exhibit – and her dreams reveal events and calamities she could not know of otherwise. Her grandmother is friendly with the gypsies when they pass through, and they respect her as a shaman. Her grandmother also sees the abilities of young Kata, and raises her with loving attention. 

The gypsies play a central role here, first by bringing a bear to perform at the village in the summer of Kata’s eighth year. This vividly-told event sets off the narrative’s tragic spiral. A village woman’s baby disappears, and the gypsies are naturally blamed. Kata, in the midst of an idyllic childhood, plays a role in the events at a climactic event in which her abilities finally become apparent.

Ms. Lakoseljac sets herself a very difficult path: she portrays Kata’s consciousness as a confused and dream-infused vision. Thoughts and images come to her suddenly – sometimes she has been dreaming, and sometimes she finds herself in a remote spot near a marsh or woodland with no idea how she got there. Sometimes it affects her health, and her loved ones and neighbors become alarmed for her. The author always fills us in on the events that lead to the spell, and poor Kata must work through the significance of her visions. Readers will find themselves wishing they could help, because Kata is a very sympathetic character.

Regardless of Kata’s sudden and unpredictable visions, this book is tightly-plotted and rewarding. It honors the oppressed and wandering Romany tribes, effectively portraying their lust for life as well as their humanity and enlightened traditions. Kata learns the part she will play in the tradition, and the reader is treated to a captivating story set in a seeming far-off time and place. Highly recommended.

"Back in the Game" by Charles Holdefer

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Back in the Game packs a solid punch – it’s full of awkward and endearing humanity – with its straight-ahead style and character-driven plot. How some authors work so much believability and sympathy in a slim volume is completely beyond me. This book oddly shares an impressive heart, and a comfortable, reasonable approach to life that belies the desperation of some of its characters.

Stanley Mercer, a former pro ballplayer, has come home to America from France, where he was trying unsuccessfully to find funding for a barnstorming baseball tour. His influential brother secures him a teaching job at an elementary school in Iowa, and Stanley finds himself trying to make sense of it all. He scarcely believes it. Not one to dwell too much dashed dreams, he discharges his new responsibilities reasonably well, making a pretty good teacher for the year, particularly since he never quite got his bachelor’s degree.  He becomes involved with one or two families during the year, and one of them, the Rawlingses, is headed by Reggie, who is unfortunately a meth addict. As always, addicts are unpredictable while high, and Stanley has to deal with the raging Reggie, who may or may not know the extent of Stanley’s involvement with his wife, Amy.

Mr. Holdefer constructs his tale with his protagonist’s point of view once removed from the action that propels the story. His first-person narration captures for us the fairly routine events of the young teacher’s life, but the characters he encounters provide the drama and narrative energy. Through it all, we the lucky readers are treated to pitch-perfect portrayals of resilient small-town Iowans. As Stanley makes his way, the meth plague rears its ugly head, and the large local hog operation sustains an emergency hazardous spill. Events, never under Stanley’s control to begin with, spiral even further outside his ambit: his supposed girlfriend, half a day away in Chicago, may or may not have plans that include him. The local woman he dallies with turns out to be an adversary as events unfold, largely because her daughter is in Stanley’s class, and her husband is the meth addict.

I recommend this book to readers of literate fiction for its unique structure, for its finely-observed humanity, and for its big heart.

"Dire Salvation" by Charles B. Neff

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In Dire Salvation Charles B. Neff uses straightforward, punchy language to unroll a suspenseful yarn of drugs, mental illness, and revenge in central Washington state. In it, he succeeds in gaining our sympathies for his characters, and helps us see, and root for, every shape that salvation may take for them.  It’s a genuine pleasure to read this direct, businesslike book, not only because of the economy of language, but also because of a balancing richness of theme and image.

In small-town rural Washington, a drug mule is murdered, and weak-witted, defenseless Lonny Ogden is held for it. A number of inconsistencies undermine his status as a suspect, and when a second member of the drug underground is killed with Lonny still in custody, focus necessarily shifts in another direction. Lonny and his big sister Calla, who is the story’s fretful protagonist, are part Native American. The inconsistencies and conflicts between the Native and Anglo cultures show, somewhat under the surface, but don’t really break out into the open here except as an alternate approach to the moral principles involved. The other characters, town mayor Phil Bianchi, immigrant policeman Greg Takarchuk, and reformed drug dealer Jason Ferris, all struggle to pick their way through treacherous waters to promising new lives. These subplots provide the gratifying depth that this novel rewards the reader with.

Mr. Neff makes highly effective use of native stories and legends, wielding them to fill the depths of his characters, and make genuine their motivation. They provide a backdrop to current nefarious or virtuous activity, and knowing them gives a character a key to solving the main riddle, and to getting Lonny off the hook. This book is paced brilliantly – characters’ self-examination, when it happens, happens with the same economy as the main action. It’s all handled very deftly indeed. The suspenseful principal story serves as entrée and engine for the personal quests of its main characters. It’s a pleasing, impressive whole, and features an action-packed, perilous climax that is highly satisfying.

On the whole, a highly recommended read.