The story weds Holland, a strikingly handsome man who effortlessly captivates everyone, and Pearl, a woman whom Holland finds beautiful, much to her surprise. They seem destined to be together: they were teen sweethearts in wartime Kentucky before Holland was conscripted; they meet again a few years later by utter chance at Ocean Beach in San Francisco. They embark on married life and have a son, but a few years into this son’s life, a man comes to Pearl’s home and introduces himself as someone who knew Holland during the war.
Thus begins the heart of the novel. It takes quite a bit of time for Pearl to learn why this man, himself handsome, well-dressed, and mannerly, visits their home. Once she does, however, she feels her life begin to spin away from her, her young family and her way of life in jeopardy of disintegrating. The novel consists of her reaction to this realization, the dear assumptions she must abandon, and a suspenseful discussion as she readies herself for wrenching change.
All this is, as I say, very competently handled by Greer. However, Holland remains a cipher throughout most of the book. He’s the fulcrum, the nucleus of the story, and without knowing his mind, or how to read the signs of how he feels, we are held in suspense. The ultimate reveal occurs very near the end of the narrative, but even after the result is made known, this character remains mysterious.
And perhaps that is Greer’s pièce de résistance, the fact that we as the readers remain just as much in the dark about this man as do the characters in the book.
This novel is disciplined, logical, and satisfying. We dwell for a long time in a woman’s mind, a woman who suddenly has a lot to lose, and she comes believably across in that role. It evokes the zeitgeist of the time (the U.S. just as the Korean War winds down, but the Cold War remains at its peak) to a T, and has twists and turns enough to surprise and give us reason to appreciate the work as well-handled.
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