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"Our Souls at Night" by Kent Haruf

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The spare, beautiful, clipped back style Kent Haruf perfected returns to us even more distilled in Our Souls at Night. His characters use a directness and economy of expression that mirrors the narrative, and the whole affects us with the sense of emotional logic freely followed, where pretense is abandoned as counterproductive, a waste of precious time. Our Souls at Night, a fitting valediction from a well-loved author, is marvelous for a number of reasons.

In a straightforward plot (another facet of the book in harmony with the whole) a retired widow, Addie, in a small high plains town contacts a neighbor gentleman (called Louis), and makes what many in the town consider a brazen overture. She asks him directly if he would keep her company in the evenings, and sleep in her bed with her. He assents and thus begins a very sweet and rewarding chapter in their lives. They proceed together quite openly in their new relationship, town busybodies be damned.

But pressures build within their families to halt the happiness. Addie’s son uses her grandson, whom Addie cherishes, in a crass and self-absorbed (not to mention short-sighted and prudish) ploy to try to bring an end to the relationship.  It is not the only source of overreaction.

In this book, Mr. Haruf manages to focus on virtuous people giving of themselves. This is a tricky path for any writer, but Mr. Haruf’s gift plays strongly - his treatment of these two wise and plain-spoken people works superbly, effortlessly. He composes the lovely melody of conversation and action between his two paragons; objections and ultimatums come from others who will probably never know such happiness.
His theme outwardly deals with the age of protagonists who have nothing to lose to pubic opinion, but this lesson applies to any and all. His evocations of place and human failing are perfect and powerful, as always.

As a sober valediction from a distinguished author, Our Souls at Night reminds me of Barbara Pym’s Quartet in Autumn. Not only are both great achievements of superior writers, but they stand as final reaffirmations of glorious bodies of work. Spend a couple of hours or days or hours with Kent Haruf’s final accomplishment and be enriched.

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Abdelghafour

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